Museum of New Mexico Press
PART OF NEW MEXICO'S LITERARY HERITAGE FOR SEVENTY YEARS

       

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Paperback $35.00

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Natural by Design

Beauty and Balance in Southwest Gardens

Judith Phillips, Author

Trim: 10" x 10"

Pages: 208

Illustrations: 145 color plates

Guide

Garden

Nature

© 1995

This guide is a thorough treatment of Southwest landscape design, planting, and maintenance. It is the classic resource for reaping the rewards of landscaping with native and adaptive plants.

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Paperback $29.95

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Navajo Saddle Blankets

Textiles to Ride in the American Southwest

Lane Coulter, Editor

Trim: 9" x 12"

Pages: 144

Illustrations: 85 color and 30 black-and-white photographs

American Indians

American West/Southwest

© 2002

An appreciation of Navajo saddle blankets that are among the most neglected art forms in the American Southwest.

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Cloth $50.00

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New Mexico Art Through Time

Prehistory to the Present

Joseph Traugott, Author

Trim: 9" x 11.75"

Pages: 244

Illustrations: 243 color photographs

Art

New Mexico

History

© 2012

New Mexico Art Through Time illustrates 250 works of art extending back to the earliest worked points of the Paleo-Indian Clovis people to twentieth century artists.

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Cloth $15.00

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New Mexico Artists at Work

Dana Newmann, Author
Jack Parsons, Photographer

Trim: 9.5" x 10.5"

Pages: 176

Illustrations: 71 color photographs, 31 duotones

Art

New Mexico

Photography

© 2005

Offers glimpses into the creative spaces of fifty-two New Mexico artists, from painters to video and conceptual artists.

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Hardcover $16.95

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New Mexico Christmas Story

Owl in a Straw Hat 3

Rudolfo A. Anaya, Author

Trim: 8.5" x 11"

Pages: 40

Illustrations: 12 color illustrations

Children's Fiction

Bilingual

© 2021

Acclaimed New Mexico author Rudolfo Anaya presents a northern New Mexico Christmas tale in this third volume from his Owl in a Straw Hat series featuring the loveable Ollie Tecolote and his Wisdom School classmates Uno the Unicorn, Jackie Jackalope, Bessie Beaver, Sally Skunk, Robbie Rabbit, and Ninja Raccoon.

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Paperback $24.95

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New Mexico Colcha Club

Spanish Colonial Embroidery & the Women Who Saved It

Nancy C. Benson, Author

Trim: 8.5" x 10.5"

Pages: 156

Illustrations: 96 color and black-and-white illustrations

Folklore/Folk Arts

New Mexico

Tradition

© 2008

In the 1930's, a few Hispanic women in northern New Mexico sought to rescue the colonial tradition of colcha embroidery and return it as a cherished custom.

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Flexibound $34.95

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New Mexico Poetry Anthology 2023 is an "ode and homage to nuestra querencia, our beloved homeland." Two hundred original, previously unpublished poems explore themes such as community, culture, history, identity, landscape, and water.

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Spiral Binding $15.95

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NEW MEXICO TREASURES 2024

ENGAGEMENT CALENDAR

Don J. Usner, Author

Trim: 8" x 8"

Pages: 120

Illustrations: 60

© 2023

This best-selling desk calendar is the perfect gift for everyone who loves New Mexico! The calendar features the work of more than forty of New Mexico's best-known photographers, creating a handy datebook of beautiful color and black-and-white images as they capture the variety and diversity of New Mexico, its landscapes, people, and experiences. The week-at-a-glance format provides space for appointments or notes on the right-hand side for each day of the week, accompanied by a list of special events taking place around the state.

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Paperback $29.95

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New Mexico's Living Landscapes

A Roadside View

William W. Dunmire, Author
Christine Bauman, Photographer

Trim: 8.5" x 11"

Pages: 136

Illustrations: 139 color photographs

Folklore/Folk Arts

Nature

Guide

© 2012

This colorful book explains the natural elements of the six eco-regions of New Mexico and directs travelers to some of their more interesting features.

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Jacketed Hardcover $50.00

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No Idle Hands

The Myths & Meanings of Tramp Art

Laura M. Addison, Editor & Contributor

Trim: 9.75" x 11"

Pages: 264

Illustrations: 141 color plates, 41 figures

Folk Art

Art History

Wood Carving

© 2017

Tramp art describes a particular type of wood carving practiced in the United States and Europe between the 1880s and 1940s in which discarded cigar boxes and fruit crates were notched and layered to make a variety of domestic objects. These were primarily boxes and frames in addition to small private altars, crosses, wall pockets, clock cases, plant stands, and even furniture. Whittling objects such as chains and ball-in-cage whimsies was a common hobby—including among rail-riding “hobos”—and for many years “tramp art” was believed to have been made by these itinerants as well. Although this notion has been widely dispelled, the name has stuck. In recent years efforts have been made to identify makers by name and reveal their stories. While some examples of tramp art may be attributed to itinerants, this carving style was more commonly a practice of working-class men creating functional objects for their households.

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